1.6(top 50%)
impact factor
789(top 20%)
papers
7.8K(top 20%)
citations
36(top 20%)
h-index
1.6(top 50%)
impact factor
1.6K
all documents
8.7K
doc citations
57(top 20%)
g-index

Top Articles

#TitleJournalYearCitations
1The Accuracy and Precision of Position and Orientation Tracking in the HTC Vive Virtual Reality System for Scientific ResearchI-Perception2017331
2Putting Reward in Art: A Tentative Prediction Error Account of Visual ArtI-Perception2011220
3Components of Aesthetic Experience: Aesthetic Fascination, Aesthetic Appraisal, and Aesthetic EmotionI-Perception2012170
4Yarbus, Eye Movements, and VisionI-Perception2010161
5A Mismatch in the Human Realism of Face and Voice Produces an Uncanny ValleyI-Perception2011151
6Object Knowledge Modulates Colour AppearanceI-Perception2011111
7Quicker, Faster, Darker: Changes in Hollywood Film over 75 YearsI-Perception201195
8You Do Not Talk about Fight Club if You Do Not Notice Fight Club: Inattentional Blindness for a Simulated Real-World AssaultI-Perception201193
9When Does Maluma/Takete Fail? Two Key Failures and a Meta-Analysis Suggest That Phonology and Phonotactics MatterI-Perception201777
10Joint Effects of Illumination Geometry and Object Shape in the Perception of Surface ReflectanceI-Perception201164
11Art Perception in the Museum: How We Spend Time and Space in Art ExhibitionsI-Perception201763
12Pioneers of Eye Movement ResearchI-Perception201062
13Arnheim's Gestalt Theory of Visual Balance: Examining the Compositional Structure of Art Photographs and Abstract ImagesI-Perception201162
14Cognitive Mechanisms for Explaining Dynamics of Aesthetic AppreciationI-Perception201160
15Uni- and Multisensory Brain Areas are Synchronised across Spectators When Watching Unedited Dance RecordingsI-Perception201358
16Weak Priors versus Overfitting of Predictions in Autism: Reply to Pellicano and Burr (TICS, 2012)I-Perception201358
17The Taste of TypefaceI-Perception201556
18Curve Appeal: Exploring Individual Differences in Preference for Curved Versus Angular ObjectsI-Perception201751
19The Importance of Amodal Completion in Everyday PerceptionI-Perception201851
20Seven Myths on Crowding and Peripheral VisionI-Perception202051
21The Role of Head Movements and Signal Spectrum in an Auditory Front/Back IllusionI-Perception201250
22Implicit Association of Symmetry with Positive Valence, High Arousal and SimplicityI-Perception201350
23Visual Attention at the Tip of the TongueI-Perception201550
24Visual and Haptic Integration in the Estimation of Softness of Deformable ObjectsI-Perception201349
25New insights into ambient and focal visual fixations using an automatic classification algorithmI-Perception201147
26Determinants of Colour Constancy and the Blue BiasI-Perception201747
27Crossmodal Correspondences: Innate or Learned?I-Perception201246
28Generalization across View in Face Memory and Face MatchingI-Perception201446
29“What’s Your Taste in Music?” A Comparison of the Effectiveness of Various Soundscapes in Evoking Specific TastesI-Perception201545
30Monkeying around with the Gorillas in Our Midst: Familiarity with an Inattentional-Blindness Task Does Not Improve the Detection of Unexpected EventsI-Perception201043
31How Beauty Determines Gaze! Facial Attractiveness and Gaze Duration in Images of Real World ScenesI-Perception201643
32Gaze Cueing by Pareidolia FacesI-Perception201342
33Reconsidering Visual SearchI-Perception201541
34Subjective Ratings of Beauty and Aesthetics: Correlations With Statistical Image Properties in Western Oil PaintingsI-Perception201741
35Stereo Vision: The Haves and Have-NotsI-Perception201539
36A Comparison of Eye Tracking Latencies Among Several Commercial Head-Mounted DisplaysI-Perception202139
37Visual Foraging With Fingers and Eye GazeI-Perception201638
38Sensitivity to First- and Second-Order Drifting Gratings in 3-Month-Old InfantsI-Perception201137
39The Small Step toward Asymmetry: Aesthetic Judgment of Broken SymmetriesI-Perception201336
40Fast Lemons and Sour Boulders: Testing Crossmodal Correspondences Using an Internet-Based Testing MethodologyI-Perception201336
41Embodied Perception: A Proposal to Reconcile Affordance and Spatial PerceptionI-Perception201536
42DepthI-Perception201135
43Using an Oculomotor Signature as an Indicator of Aesthetic PreferenceI-Perception201235
44Circling Around the Uncanny Valley: Design Principles for Research Into the Relation Between Human Likeness and EerinessI-Perception201635
45Feeling Blue or Seeing Red? Similar Patterns of Emotion Associations With Colour Patches and Colour TermsI-Perception202035
46The Viewing-from-Above Bias and the Silhouette IllusionI-Perception201034
47Sugar and Space? Not the Case: Effects of Low Blood Glucose on Slant Estimation are Mediated by BeliefsI-Perception201334
48Cross-Modal Associations in Synaesthesia: Vowel Colours in the Ear of the BeholderI-Perception201434
49Unmasking the Difficulty of Listening to Talkers With Masks: lessons from the COVID-19 pandemicI-Perception202134
50The Impact of Face Masks on the Emotional Reading Abilities of Children—A Lesson From a Joint School–University ProjectI-Perception202134