| # | Title | Journal | Year | Citations |
|---|
| 1 | Subculture: The Meaning of Style | Critical Quarterly | 1995 | 657 |
| 2 | Education, markets, and an audit culture | Critical Quarterly | 2005 | 185 |
| 3 | The Antitheatrical Prejudice | Critical Quarterly | 1966 | 157 |
| 4 | Multiculture in times of war: an inaugural lecture given at the London School of Economics | Critical Quarterly | 2006 | 113 |
| 5 | The Road to Middle Earth | Critical Quarterly | 1982 | 104 |
| 6 | Play, fantasy and strange laughter: Stevie Smith's uncomfortable poetry | Critical Quarterly | 1986 | 64 |
| 7 | What is confessional poetry? | Critical Quarterly | 1987 | 61 |
| 8 | Academic labour and the politics of quality in higher education: a critical evaluation of the conditions of possibility of resistance | Critical Quarterly | 2005 | 59 |
| 9 | Christina Rossetti: poet | Critical Quarterly | 1984 | 58 |
| 10 | Music and everyday life | Critical Quarterly | 2002 | 54 |
| 11 | From: An Essay on Criticism | Critical Quarterly | 1966 | 48 |
| 12 | The imperial unconscious? Representations of imperial discourse | Critical Quarterly | 1990 | 46 |
| 13 | Freud in Cambridge | Critical Quarterly | 2004 | 45 |
| 14 | Prosody as cognition | Critical Quarterly | 1998 | 44 |
| 15 | Towards an economy of higher education | Critical Quarterly | 2005 | 43 |
| 16 | After the Tranquillized Fifties. | Critical Quarterly | 1964 | 42 |
| 17 | Narrative and Dialogue in Jane Austen | Critical Quarterly | 1970 | 41 |
| 18 | Two types of shock in modernity | Critical Quarterly | 2000 | 41 |
| 19 | Mind the gap: The creative conundrum | Critical Quarterly | 2001 | 40 |
| 20 | Logbook: against prose | Critical Quarterly | 2017 | 40 |
| 21 | Sample and hold: pop music in the digital age of reproduction | Critical Quarterly | 1988 | 39 |
| 22 | Modernist rights: International PEN 1921–1936 | Critical Quarterly | 2013 | 36 |
| 23 | Making sense of essentialism | Critical Quarterly | 2011 | 35 |
| 24 | 'Terrors of the night': Dracula and 'degeneration' in the late nineteenth century | Critical Quarterly | 1988 | 33 |
| 25 | Look both ways: studying emotion in ancient Greek | Critical Quarterly | 2008 | 33 |
| 26 | Confessions of a snow queen: notes on the making of The Attendant | Critical Quarterly | 1994 | 32 |
| 27 | Medium light: revisiting Edisonian modernity | Critical Quarterly | 2009 | 32 |
| 28 | Spectatorship and capture in King Kong: the guilty look* | Critical Quarterly | 1991 | 31 |
| 29 | Chronicle(s) of a death foretold, notes apropos of Les Nuits Fauves | Critical Quarterly | 1994 | 31 |
| 30 | Listening‐in to the long 1930s | Critical Quarterly | 2016 | 30 |
| 31 | Contemporary women's poetry: experimentalism and the expressive voice | Critical Quarterly | 1994 | 29 |
| 32 | What difference do museums make? Producing evidence on the impact of museums | Critical Quarterly | 2002 | 29 |
| 33 | Henry James: the master and the‘queer affair’of ‘The Pupil’ | Critical Quarterly | 1995 | 28 |
| 34 | Making an issue of cultural phenomenology | Critical Quarterly | 2000 | 27 |
| 35 | A slave to the stove? The TV celebrity chef abandons the kitchen: lifestyle TV, domesticity and gender | Critical Quarterly | 2011 | 27 |
| 36 | Dalit reconfiguration of caste: representation, identity and politics | Critical Quarterly | 2014 | 27 |
| 37 | The Geneva School | Critical Quarterly | 1966 | 26 |
| 38 | Nowhere, in particular: Kazuo Ishiguro's The Unconsoled and Central Europe | Critical Quarterly | 2006 | 25 |
| 39 | Raymond Williams's Keywords: investigating meanings 'offered, felt for, tested, confirmed, asserted, qualified, changed' | Critical Quarterly | 2006 | 25 |
| 40 | The Critical Theory of Yvor Winters | Critical Quarterly | 1965 | 24 |
| 41 | The micropolitics of quality | Critical Quarterly | 2005 | 24 |
| 42 | Modern literary theory | Critical Quarterly | 1989 | 23 |
| 43 | The golden spike | Critical Quarterly | 1988 | 22 |
| 44 | Colonial subjects | Critical Quarterly | 1990 | 22 |
| 45 | Language: English in India: The grandmother tongue | Critical Quarterly | 1998 | 22 |
| 46 | Universities and social progress in modernising societies: how educational expansion has replaced socialism as an instrument of political reform | Critical Quarterly | 2005 | 22 |
| 47 | An interview with Stuart Hall, December 2007 | Critical Quarterly | 2008 | 22 |
| 48 | Saul Bellow's The Victim | Critical Quarterly | 1963 | 21 |
| 49 | Bent | Critical Quarterly | 1981 | 21 |
| 50 | Parody, postmodernism, and the politics of reading | Critical Quarterly | 1985 | 21 |
