Studies in Conservation

0.7(top 50%)

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4.9K(top 5%)

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33.4K(top 10%)

citations

57(top 10%)

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0.8(top 50%)

impact factor

5.6K

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34.9K

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81(top 10%)

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Top Articles

#	Title	Journal	Year	Citations
1	Identification of Cellulosic Fibres by FTIR Spectroscopy - Thread and Single Fibre Analysis by Attenuated Total Reflectance	Studies in Conservation	2003	407
2	Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications	Studies in Conservation	2006	203
3	The Characterization of Metal Soaps	Studies in Conservation	2003	196
4	FTIR Studies of the Effects of Pigments on the Aging of Oil	Studies in Conservation	2005	167
5	High performance liquid chromatography of anthraquinones: analysis of plant and insect extracts and dyed textiles	Studies in Conservation	1985	140
6	Analysis of Aged Paint Binders by FTIR Spectroscopy	Studies in Conservation	1990	131
7	Use of imaging spectroscopy, fiber optic reflectance spectroscopy, and X-ray fluorescence to map and identify pigments in illuminated manuscripts	Studies in Conservation	2014	127
8	Cross-sections and Chemical Analysis of Paint Samples	Studies in Conservation	1956	120
9	Analysis of aged paint binders by FTIR spectroscopy	Studies in Conservation	1990	114
10	Analytical Imaging Studies of Cross-Sections of Paintings Affected by Lead Soap Aggregate Formation	Studies in Conservation	2007	107
11	Natural Resins of Art and Archaeology Their Sources, Chemistry, and Identification	Studies in Conservation	1977	106
12	A New Method for Consolidating Wall Paintings Based on Dispersions of Lime in Alcohol	Studies in Conservation	2000	105
13	Adhesive testing at the Canadian Conservation Institute-an evaluation of selected poly(vinyl acetate) and acrylic adhesives	Studies in Conservation	1996	102
14	Identification by Raman microscopy and visible reflectance spectroscopy of pigments on an Icelandic manuscript	Studies in Conservation	1995	96
15	A New Methodology for Accelerated Corrosion Testing	Studies in Conservation	2003	96
16	The Gas Chromatographic Examination of Paint Media. Part 1. Fatty Acid Composition and Identification of Dried Oil Films	Studies in Conservation	1966	95
17	NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATION	Studies in Conservation	1977	94
18	Microbial taphonomy of archaeological bone	Studies in Conservation	1995	94
19	Corrosion of Copper and Lead by Formaldehyde, Formic and Acetic Acid Vapours	Studies in Conservation	2003	94
20	The Coccid Insect Dyes: HPLC and Computerized Diode-Array Analysis of Dyed Yarns	Studies in Conservation	1989	93
21	The use of Paraloid B-72 as an adhesive: its application for archaeological ceramics and other materials	Studies in Conservation	1986	87
22	Photochemical and thermal degradation of films of dammar resin	Studies in Conservation	1988	87
23	The Application of Optical Coherence Tomography to Non-Destructive Examination of Museum Objects	Studies in Conservation	2004	87
24	Post-excavation changes in iron antiquities	Studies in Conservation	1982	84
25	A study of the patina called‘scialbatura’on imperial Roman marbles	Studies in Conservation	1987	83
26	The corrosion of excavated archaeological iron with details on weeping and akaganéite	Studies in Conservation	1999	82
27	Characterization of the Balm of an Egyptian Mummy from the Seventh Century B.C.	Studies in Conservation	2000	82
28	A Review of Copper Chlorides and Related Salts in Bronze Corrosion and as Painting Pigments	Studies in Conservation	2000	82
29	The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films	Studies in Conservation	1966	80
30	VERMILION AND CINNABAR	Studies in Conservation	1972	80
31	Fluorescence of Paint and Varnish Layers (Part I)	Studies in Conservation	1982	80
32	WASHING METHODS FOR CHLORIDE REMOVAL FROM MARINE IRON ARTIFACTS	Studies in Conservation	1978	79
33	A reassessment of the formation of the patina calledscialbatura	Studies in Conservation	1989	79
34	Non-destructive spectroscopic detection of cobalt(II) in paintings and glass	Studies in Conservation	1996	79
35	Long-Term Chemical and Physical Processes in Oil Paint Films	Studies in Conservation	2005	79
36	Lime Mortars for the Conservation of Historic Buildings	Studies in Conservation	2002	78
37	Beyond the basics: A systematic approach for comprehensive analysis of organic materials in Asian lacquers	Studies in Conservation	2016	78
38	Lime Mortars for the Conservation of Historic Buildings	Studies in Conservation	2002	75
39	Lead soaps in paintings: Friends or foes?	Studies in Conservation	2017	75
40	VERDIGRIS AND COPPER RESINATE	Studies in Conservation	1970	74
41	High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles	Studies in Conservation	1985	73
42	An improved dye and lake pigment analysis method for high-performance liquid chromatography and diode-array detector	Studies in Conservation	1996	72
43	The Light-fastness of the Natural Dyes	Studies in Conservation	1966	71
44	The coccid insect dyes: hplc and computerized diode-array analysis of dyed yarns	Studies in Conservation	1989	69
45	Animal glues: a review of their key properties relevant to conservation	Studies in Conservation	2007	69
46	The identity of compounds containing chloride ions in marine iron corrosion products: a critical review	Studies in Conservation	1981	68
47	Studies of lead corrosion in acetic acid environments	Studies in Conservation	1998	66
48	The analysis of synthetic paints by pyrolysis–gas chromatography–mass spectrometry (PyGCMS)	Studies in Conservation	2001	65
49	A review of ancient Egyptian pigments and cosmetics	Studies in Conservation	2016	65
50	The Organic Chemistry of Museum Objects	Studies in Conservation	1988	64

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